Is “Gravity” Science Fiction?

Recently, Sara and I saw the movie Gravity. It was a fantastic movie, and I definitely recommend it (and I think this post is spoiler free, so feel free to read if you haven’t seen it yet). I was saying to my co-worker that I always get excited when she wants to see a science fiction movie. “But Gravity is not science fiction,” he protested.

It never occurred to me that Gravity would not be considered science fiction. The entire movie takes place in outer space, which is traditionally a hallmark of science fiction. Many of the typical science fiction tropes and devices are in play. However, I subsequently had this argument with many other people, and everyone seems to agree that I’m wrong; this is not science fiction.

Now, as a writer of science fiction, I am probably a little more versed in the numerous sub-categories of science fiction than the average person. You’ve got “hard” science fiction, “soft” or “social” science fiction, Cyberpunk, Steampunk, Space Opera, Space Western, and contemporary or “near future”, to name a few. My point is that I am accustomed to viewing the label of Science Fiction as a rather broad umbrella, perhaps broader than some might consider. In other words, I believe you can have science fiction without aliens and laser guns.

The debate seems to center on the word “future”. Everyone I’ve talked to about this stands firm on the idea that science fiction must depict the future. However, to my mind this presents two problems: 1) you have to ignore alternate history stories that actually occur in the past, such as Steampunk, and 2) how do you define “future”? How far out does it has to be?

For example, if I write a legal thriller that takes place in 2014, that’s clearly not science fiction, even though it takes place in the “future”. So to me, it’s more about the feel of the story, rather than a time frame. And Gravity feels to me like science fiction.

But we’re certainly not going to be able to agree on a definition that includes “how Shane feels about it”, so I tried turning to the Internet. It turns out, the Internet is just as confused as I am about all of this. There’s really no clear consensus about what makes something science fiction.

However, as a starting point, here are a couple of definitions provided by Asimov and Clarke, two experts in the field if there are any:

Isaac Asimov. 1990. “‘[H]ard science fiction’ [is] stories that feature authentic scientific knowledge and depend upon it for plot development and plot resolution.”

Isaac Asimov. 1975. “Science fiction can be defined as that branch of literature which deals with the reaction of human beings to changes in science and technology.”

Arthur C. Clarke. 2000. “Science fiction is something that could happen – but you usually wouldn’t want it to. Fantasy is something that couldn’t happen – though you often only wish that it could.” (emphasis original)

So based on those definitions, I would argue that “Gravity” fits the bill. On the other hand, one of my co-workers counter-argued that essentially all stories depend on technology for plot advancement. Receiving a phone call on a cell phone? Driving in a car? Using a computer? All dependent on technology. It doesn’t become science fiction until the technology depicted is technology of the future. At that point we’re back to arguing timeframe again.

Finally we settled on the idea that the timeframe can be anything, but the technology has to be something that “most people don’t have access to”. Under that definition, I think “Gravity” qualifies because most people don’t go into space, and it would stop being science fiction when space travel became mundane (the way cell phones and computers have).

However, when one is forced to argue with essentially everybody on a point, whether or not one convinces them, one must consider the fact that he is, in fact, flat out wrong. So we will settle this the way we settle all important arguments around here; with a web poll.

What say you, Internet?

At the end of the day, the label “science fiction” is a marketing term. It’s a way for bookstores and movie rental stores to classify stories. It’s essentially meaningless, other than to help people find stories they would be interested in seeing.

Under that notion, I’m confident in saying that someone who enjoys science fiction would also enjoy seeing “Gravity”.

Fiction Podcasts Part II – The Rest

Continuing on with the great “best of” audio podcast lists from Diabolical Plots, I’m now going to delve into the smaller, or less well known audio podcasts. As is often the case with things like this, these ones are definitely diamonds in the rough and deserve some coverage!

Drabble Cast – Horror-ish? (best of lists here and here)

Drabble Cast bills itself as “strange stories by strange authors for strange listeners (such as yourself)”. Well, I must be strange, because I think this is my favorite of all of the podcasts (and I’m not even through the whole list yet)! I don’t know if it is because these stories are even shorter (the longest pieces are “flash fiction”, and there is also a “drabble” (a story of exactly 100 words) and “twit-fic” (a story of exactly 100 characters). I can usually finish an episode of each leg of my commute. You can check out some of my favorites, such as Teddy Bears and Tea Parties (NOT as nice as it sounds! Very creepy!), or the science-fictional Mongoose (part I, partII). Note that this podcast is very produced, almost more like a radio drama than a simple reading of a story. At first this was distracting to me, but after I got used to it, I kind of liked it.

StarShipSofa  – Science Fiction (best of list here)

This podcast can only be described as adorable. It is so clearly by the people, for the people and the host is such a nice guy, that you can’t help but love it. However, I would definitely not recommend this for everyone. It’s a lot more than just audio fiction. Although they do include at least one story in every episode, it’s more like one feature among many, instead of the main event. The very, very long episodes contain author interviews, genre news, genre history, upcoming book releases, etc. If you’re really into science fiction in general, then there is a lot to offer here. If you just want to hear some fiction, you’re probably better off with something else. But if you’re going to listen to any random episode, why not start off with the one containing the fantastic Pump Six by Paolo Bacigalupi (if this podcast has done nothing else for me, it has at least taught me how to pronounce Bacigalupi!)

Beneath Ceaseless Skies – Fantasy (best of list here)

Beneath Ceaseless Skies describes itself as “the best in literary adventure fantasy”. I wasn’t sure exactly what that meant until I listened to some of the stories. It’s fantasy, but it’s sort of more unique fantasy. Again, we’re not talking about traditional sword and sorcery here. It’s more equivalent to high fantasy meets…strangeness or something. Sort of lyrical world building in a non-traditional setting. For example, check out Mamafield, a story from the point of view of a sentient plant, or Father’s Kill (what can I say, I’m just always a sucker for the dark ones!)

Cast Macabre – Horror (best of list here)

Maybe I’m running out of steam here, but I don’t have much to say about this one. The stories were good and I enjoyed all the ones I listened to. Definitely worth checking out.

Clarkesworld – Science Fiction and Fantasy (best of list here)

I haven’t actually listened to any of these yet, so I can’t say much about it. But there was a best of list, so I will make it there eventually.

Anybody else have any good fiction podcasts? Anybody listen to any of these and have some comments to share? Which were your favorites? Let us know in the comments!

Fiction Podcasts Part I – The Big 3

I spend a lot of time listening to audio fiction. I mostly download full length audio books from the library, but it later I discovered that there are a lot of sites and podcasts out there that do weekly episodes of short fiction.

I have always enjoyed short fiction, but it seems to work especially well in this format. It usually takes me a couple of weeks to listen to a novel, but I can do a piece of short fiction in a day or two, maximum. There are advantages to each length, but I really have been enjoying getting in the car and anticipating a totally new story. It provides great variety.

Most of these have been going for a long time, so there are hundreds of episodes out there. So, you can go browse these sites yourself, or you can do what I did: go off one of the “best of” lists out there on the Internet. I’ve been using the lists over at Diabolical Plots (Get it? Plots? Diabolical Plots?) to get a run-down of where to start. Now certainly my tastes aren’t exactly the same, and I’m sure I’m missing out on some great stories, and on the other hand I don’t always love the stories selected, but it gives me a pretty good flavor of what’s going on there.

When it comes to speculative fiction (fantasy, science fiction, and/or horror) podcasts, there are three that sort of stand out from the rest as being especially well known and high quality, one for each genre. I don’t think you can really go wrong with any of these, so just pick the appropriate one for the genre you like (or pick all three if you can’t choose, like I did). Again, all of these feature really good short fiction, which can be downloaded totally free. What’s not to love?

Escape Pod – Science Fiction (best of lists here and here).

My super, super condensed list of favorites include stories that vary from hilarious (Connie, Maybe, or The Love Quest of Smidgen the Snack Cake) to poignant and sad (Barnaby in Exile). Anybody who thinks science fiction can’t be moving should really check the last one out!

PodCastle – Fantasy (best of lists here and here).

This one really runs the gamut of fantasy, from the more traditional fantasy (Sir Hereward and Mr. Fitz Go to War Again) to other, very dark fantasy (The Mermaid’s Tea Party). Note that fantasy here doesn’t necessarily mean traditional sword and sorcery, but many other things in between (take Sir Hereward and Mr. Fitz up there…very interesting and non-traditional).

Pseudopod – Horror (best of here and here).

Horror is a genre that I just can’t help but come back to. I love it! So I have a lot of personal favorites here: Hometown HorribleThe Evil-EaterSuicide Notes, Written by an Alien MindThe Button Bin,  and Bottle Babies, to name a few. Particularly, you should stick with Hometown Horrible. It starts slow, but wow does it finish strong!

Stay tuned for tomorrow when I cover some of the smaller fiction podcasts!